In my work, through various approaches, I explore themes of decolonization, reconnection, memory, tradition, and inheritance. Specifically, I concern myself with Indigenous issues and representation from an American mestizo viewpoint, and I use my work as a means of reconnecting to a history that was forcibly alienated from my lineage. I take influence from Mexican history, culture, and tradition with a focus on Indigenous influence and hybridizations, especially Nahua visual tradition. I see these remnants of culture as a testament to the resilience of Native peoples who have survived continuous colonial efforts of Indigenous erasure. Through this lens, I contextualize the materiality of my work, referencing the colonial project of the Mexican state and pre-Columbian art-making traditions. So far, I have worked with linens, canvas, hand-built stretchers, oils, corn husks, and embroidery, and I am still searching for other relevant materials to add to my vocabulary. My work is inherently political, and I hope to reach an audience of Indigenous descendants to inspire others to reject the colonial mestizo label. I believe that the fundamentally Native practice of venerating the land that sustains us is the only way forward towards a better future.

My work is both a documentation of my journey and a call to action. As I build onto this body of work, I continue to struggle with issues of appropriation and stereotypical portrayals, potentially leading to different forms of Indigenous erasure. However, further research into my topic will enable me to find creative solutions and uncover interesting relationships with these challenges to produce work that aligns with my artistic mission.